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Sidy Samb

Born in Senegal to a Gewel griot family, singer and percussionist Sidy Samb is the son of Daro Mbaye, one of the first women singers in the popular mbalax genre and from whom he learned the foundations of technique and composition. On a visit to Seville, Spain for the 1992 World Expo, he discovered a passion for flamenco music and decided to make his home there. He quickly found his way into the music scene and became a founding member of Mártires del Compás (Martyrs of the Compass), a seminal “nuevo flamenco” band, that same year.

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    He recorded three CDs with Mártires del Compás – Flamenco Billy (1995), Prohibido Da el Cante (1996), and Al Compás de la Llaga Dolorida (1998) – and has collaborated with Spanish pop stars such as Ana Belén, Victor Manuel, Kiko Veneno and Raimundo Amador, among many others.


    In 2004, Sidy recorded his first solo album, La Sombra del Duende. Featuring all original material, he called the project Gewel and invited the participation of a select group of legendary musicians: Raimundo Amador, Diego Amador, Pepe Bao, Joaquín Megallón, Alex Icot, Valentín Ponce, Álvaro Gandul and Pape Ndiaye. The instrumentation included kora, balafon and sabar drums as well as Spanish guitar and cajón, along with electric guitar, bass, keys and drums. With lyrics in Wolof, Mandinga, Spanish and French the music is a rich exploration of flamenco, jazz, reggae, and various Senegalese styles.


    Following that project, Sidy formed a new band, this time with his compatriots, returning to Senegal and offering the kind of “pure and hard mbalax” that was in high demand. “I felt like an ambassador of African music in Europe, because in everything I did, I brought my African touch. But at some point, I thought it was time to return to the source,” he says. He recorded several albums for the Senegalese market. Askanwi (2004) was, as Sidy calls it, “a business card” – a foot in the door of Senegal’s pop music industry. Produced by Youssou Ndour, the album came from Sidy’s participation in Ndour’s 4.4.44 project celebrating Senegal’s independence 44 years earlier on April 4, 1960. Two other albums followed: Morena (2005), featuring Youssou Ndour on the song “Daan San Doolé”; Gnun Gnep Thilen (2006), and Women (2009) – which was re-released in 2012 for the international market.


    Once again, the urge to look elsewhere returned to Sidy, who identifies as “not a Senegalese musician but a Senegalese who makes music”. In 2014 he recorded yet another new concept album, Sunu (Return to Our Origins), on the Aztec Musique label. For this project Sidy enlisted the brilliant Ivoirian guitarist Mao Otayeck, pillar of Alpha Blondy’s band Solar System, as co-director. At its very core a pan- African album, Sidy describes it as a “trip to Africa” – incorporating instruments and musical elements from Senegal, Guinea, Mali and the Democratic Republic of Congo. More importantly, he composed the music on site: “I don’t want to stay in Senegal and sing a song in Lingala without going there [to the DNC],” he explains. The songs on the album carry messages about peace, love, unity and other issues of concern to Africans across the continent.


    In 2015, a follow-up album, Adayi, was released on Youssou Ndour’s Prince Arts label. With a solid fan base in Spain and Senegal and growing recognition throughout Africa, Sidy Samb has the foundation and momentum to open new doors in the international arena. He has participated in festivals like WOMAD, Etnosur, La Mar de Músicas, BAM, Getxo International Jazz Festival, MIDEM, Africa Vive, and others, as well as festivals throughout Senegal.


    Sidy Samb has recently joined the artist roster of the U.S.-based New African Production for exclusive representation in North America and is preparing for his upcoming album release and tour in 2021/2022. The album will have collaborations from the gotha of spanish artists like Tomasito, Jorge Pardo, Diego Galán, Pepe Bao, Andreas (Ofunkillo), La Naike and Oscar Gallardo.

Herve Samb

Virtuoso guitarist, original composer, and arranger, respected producer, Hervé Samb is a very charismatic individual. He has established himself as an outstanding musician worldwide, with many famous artists such as Marcus Miller, Oumou Sangaré, Salif Keïta, and so many others.

His four previous albums as a leader have all been acclaimed by the public and international critics : CROSS OVER (2009), KHARIT (2012), TIME TO FEEL (2013) TERANGA (2018) through which he confirms a unique style, the «Jazz Sabar» born from the rhythms of the sabar this traditional Senegalese percussion, crossing original melodies inspired by both traditional Senegalese tunes and contemporary jazz and BENN (2021) his first solo opus.

In 2020, he recorded JOLOF, in which he finds the «Teranga Band» again (born from the album TERANGA) to take the «Jazz Sabar» of which he is both the pionner and ambassador, even further.

With JOLOF to be released in 2023, Herve Samb affirms his intention to delve deep within himself, to find what shapes his own identity as a musician and as a human being embodying the values of openness, cultural diversity, and gratitude.

Manou Gallo

The tenacity shown by Ivorian bassist Manou Gallo in giving sparkle to her virility and expressiveness is a sign of sincere and unquestionable commitment. For a long time, his creative impulse has punctuated his daily life. She's just a child when the almost visceral call of music guides her nimble hands, first, to the drum. She takes pleasure in rhythmizing her young years of apprenticeship in this way and shows a certain enthusiasm to participate in the performances of Woya, one of the happy itinerant African troupes, which gives her the opportunity to multiply experiences.
Over time, Manou Gallo gains confidence, sings, dances, shines on stage and asserts his multidisciplinary talent. She owes the acceleration of her artistic journey to the regret of producer and arranger, Marcellin Yacé. This fine instrumentalist quickly perceives the potential of this insatiable young woman. It was he who encouraged her to play electric bass. He will support her, advise her, direct her to a promising elsewhere. Manou Gallo will never forget this providential chaperone, who tragically died in 2002. Thanks to him, she will have grown up, she will have matured. Thanks to him, she was ready to leave the land of her ancestors and try another adventure in Europe.


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    In 1997, Manou Gallo was 25 years old. She discovers the old continent. The requests of Michel de Bock, tour manager of Zap Mama, lead her to Brussels in Belgium where she becomes the regular bassist of this popular vocal group. The joys of performing arts, the spotlight and her appetite for stage performances convinced her to persevere. She now feels seasoned enough to face the future. In 2001, Manou Gallo intends to stand on his own feet. His first recordings are wriggling. "Dida" hits the mark and the start of the 21st century promises to be bright. Gradually, Manou Gallo stands out and polishes his game, she sparkles with each of her appearances. It multiplies and invents ever more daring concepts, the "Manou Gallo Women Band", the "Groove Orchestra", "L’acoustic Africa" or the "Music Machine"! Her stylistic prowess on bass elevates her to the rank of the greatest. In a decade, she released five albums

    “Aliso” is the tasty fruit of this winding journey through his memories. Manou Gallo feels free today to salute the memory of all those who instilled in her this taste for interpretation. Manu Dibango, Fela Anikulapo Kuti, Franco Luambo, Marcellin Yacé are at the heart of his reverent concerns. There is no doubt that these strong tributes will awaken our nostalgia but will perhaps also arouse the interest of a new generation for an essential heritage highlighted by the luminous harmonic and rhythmic ornamentations of an inspired artist.

    LADY by Manou Gallo, presentation of the single

    How perilous it is to revitalize a universal classic immortalized, moreover, by an indisputable African icon! Manou Gallo brilliantly takes up this challenge by judiciously grinding one of the anthems of Nigerian singer and saxophonist Fela Anikulapo Kuti. "Lady", recorded 50 years ago for the album », Is a thrilling work whose civic dimension suddenly springs forth with force in this new interpretation.

    The admirable Ivorian bassist thus celebrates the claiming momentum of women half a century after the scathing words and agitated notes of his illustrious elder. The "afro-groove queen" lives in the present and hears the protest slogans of her sisters engaged in a crusade for equality and parity. Shaking up consciousness is a formidable issue when the social climate becomes tense and when minds become radicalized. Music is then perhaps a form of shimmering diplomacy that Manou Gallo masters to perfection to gently tilt strong convictions, fixed ideas, erroneous statements.


    The damnly slapped ornamentations of this syncopated rereading certainly hammer out a subject that is still relevant today, but they also demonstrate, if it was still useful, Manou Gallo's aptitudes to give shine to a work of the past without disguise it. The rhythm remains the matrix in this adaptation respectful of the original humor. This first extract from an album, carried by reverence to the great figures of yesteryear, sparkles, sings, dances, but also invites us to wonder about the behaviors and issues of our time. This Lady has not finished enchanting us!

    By Joe Farmer

Zoë Modiga

Photo taken by Tatenda Chidora

Zoë Modiga born and raised in KwaZulu Natal, South Africa, is the quintessential artist who represents the present and future of South African music. Drawing from the human experience, identity and storytelling, she creates a distinct sound to communicate a modern, evolving African story without loosing its essence. As a lively, transcendent performer with a background in classical and jazz training, she is known to enchant audiences into another world while having an evocative individualism in fashion and imagery. Zoë is an independent artist, releasing her debut album, “Yellow: The Novel” and her sophomore album, “Inganekwane," under her label Yelloëwax. She has been awarded with the Glamour Woman of the Year: Musician Game Changer Award 2023, Standard Bank Young Artist Award: Music 2023, South African Music Award for Best Engineered Album 2020, Dopest Album Cover of 2020 by African Design League, Carol Bouwer Mbokodo Award for Music 2018, Mzantsi Jazz Awards for Best Jazz Contemporary Album Newcomer in Jazz and Best Jazz Song (2018), SAMRO Overseas Scholarship Competition (2015). She is also celebrated with nominations such as: Best Jazz Album and Best African Artist for the South African Music Awards (2018), Female Artist of the Year by the VN Streaming (2020), Best African Jazz Artist at the All Africa Music Awards (2021). The impact of Zoë’s messages has materialised with her being the cover girl for renowned British-based publication, Songlines UK (2020) and a proudly South African publication, Botaki Youth Magazine : Women’s Edition (2020). She also makes an appearance on Netflix series, "Savage Beauty" (2022).


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    Zoë has performed at celebrated festivals in South Africa such as: the Cape Town

    International Jazz Festival, Standard Bank Joy of Jazz, Durban Jazz Festival, Oppikoppi,

    Rocking the Daisies, Afropunk, Redbull Music Festival, Hugh Masekela Heritage Festival,

    Joburg Film Festival, Fete De La Musique, Blooming Sounds, Mzansi Fela, Basha Uhuru

    Festival, and many more. Internationally, she has played at the North Sea Jazz Festival

    (Netherlands), Africa Festival Hertme (Netherlands), MTN Bushfire Festival (Swaziland),

    Saudi za Busara (Tanzania), Africadelic and she frequents world tours with a music

    collective she collaborates with called, “Seba Kaapstad”.

    She has participated in Somi’s Salon Africana series (New York) and production,

    “Dreaming Zenzile” (New York/Utah) — a celebration and reimagining of Miriam

    Makeba’s life.


    True to her pan African activism, she has partnered with allies, university students,

    academics, war survivors and artists, with the support of the African Union for the

    Silencing the Guns campaign. This is a pledge for peace, aiming to address the issues of

    war and civil unrest in Africa.


    Zoë has collaborated with some of the worlds finest musicians including Ladysmith Black

    Mambazo, Johnny Clegg, Abigail Kubeka, Thandiswa Mazwai, Simphiwe Dana, Madala

    Kunene, Louis Maholo, Tshepo Tshola, Wynton Marsalis and many more.

    An authentic, compelling artist challenging the status quo, Zoë Modiga is steadily

    creating an immortal legacy of cultural impact through music, fashion and storytelling.

Les Frères Guissé 

Les Frères Guissé, meaning "The Guissé Brothers" in English, are a renowned musical ensemble hailing from the vibrant and culturally rich country of Senegal. Comprised of the exceptionally talented Guissé brothers, Bouba and Souleymane, this dynamic duo has captivated audiences around the world with their soulful melodies, infectious rhythms, and deep-rooted African musical traditions.

Born and raised in Dakar, Senegal, Bouba and Souleymane Guissé were surrounded by music from an early age. Influenced by the rich musical heritage of their homeland, they were introduced to various traditional Senegalese instruments and styles, such as the kora, the balafon, and the sabar drum. The brothers immersed themselves in the vibrant local music scene, honing their skills and developing their own unique sound.

Les Frères Guissé's music seamlessly blends traditional Senegalese rhythms with contemporary elements, resulting in a captivating fusion of genres. Their compositions reflect a deep reverence for their cultural heritage while embracing modern influences, creating a refreshing and innovative sound that appeals to a diverse range of listeners.


The Guissé brothers' virtuosity is truly awe-inspiring. Bouba's masterful command of the kora, a 21-string West African harp, transports audiences to a realm of enchantment, while Souleymane's rhythmic prowess on the balafon, an African wooden xylophone, adds a vibrant and pulsating energy to their performances. Their harmonious vocals and rich harmonies further enhance the depth and beauty of their music.

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    Over the years, Les Frères Guissé have performed on numerous stages across the globe, sharing their talent and culture with audiences from all walks of life. Their captivating live performances are a celebration of African music and a testament to the power of music as a universal language that transcends borders and unites people.

Heshima Moja

Heshima Moja is a dynamic Bassist, Vocalist, Composer, and Cultural Arts Presenter, who walks in a world where music, art, and scholarship intersect. He is heavily guided in his work by the influences of Black Classical Music (often termed jazz), orchestral music, Afro-Cuban Rumba, Hip Hop, The Music of the Arab world, Sufi Music, Ghazals, Indian Classical Music, as well as other musical forms from throughout the African Diaspora, the work of James Baldwin, Eugenio Maria de Hostos, Gaye Theresa Johnson, Fernando Ortiz, Juan Flores, Maria Theresa Linares Savio, Steven Biko. Heshima believes that art should be used as a tool to aid in the development of critical consciousness and to inspire people to imagine new ways of being in the world.


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    “A CONSTANT QUESTION THAT I SEEK TO ANSWER IN MY EXPLORATION AND CREATION OF MUSICAL WORKS IS, ‘HOW DO WE PRESERVE CULTURAL MEMORY(THE STORIES, TRADITIONS, PRACTICES) OF BLACK AND BROWN PEOPLE WHILE STILL ALLOWING CONTEMPORARY NARRATIVES TO EVOLVE INDEPENDENTLY OF THE EXPERIENCES OF THE PAST?”.


    THE ANSWER: I EMPLOY MANY DIFFERENT APPROACHES IN ORDER TO INVITE AUDIENCES TO ENGAGE IN COMMUNAL EXPERIENCE”.

Libra Sene

Libra Sene is a native New Yorker. She started singing at a very early age in a musical family. Her uncle Herbert Tisdale was a celebrated trumpet player who toured with several jazz greats. He encouraged Libra’s love of music and learning. She attended the High School of Performing Arts. Soon after completion, Libra was recruited by the girl group MUSIQUE that had the chart-topping hits In The Bush, Keep On Jumping, and Summer Love. They toured Europe and Las Vegas and appeared on television and dance programs. It is with deep and heartfelt sadness that I say we have lost our sister,
friend, artist, Libra Sene, an amazing entertainer and member of our Ne wAfrican Production family. We send our sincere condolences to her family ,friends and loved ones. Our thoughts and prayers are with you as we navigate this part of our journey. Rest In Peace, my sister.

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    Born on September 12, 1985, Libra Sene discovered their passion for the arts at a young age. From the moment they stepped onto the stage, it was evident that they possessed a rare gift and an innate ability to captivate audiences with their mesmerizing performances. Libra's dedication, versatility, and commitment to their craft were unmatched, earning them a well-deserved reputation as one of the most accomplished and respected artists of their generation.


    Libra's talent transcended boundaries, as they effortlessly navigated through various artistic disciplines. Their mastery of dance, acting, and singing allowed them to bring characters to life with unparalleled depth and authenticity. Whether it was a breathtaking ballet performance, a gripping theatrical portrayal, or a soul-stirring musical number, Libra's presence on stage was a spellbinding experience that left spectators in awe.


    Throughout their illustrious career, Libra Sene graced renowned stages around the world, captivating audiences with their performances in both classical and contemporary productions. Their contributions to the performing arts community will forever be cherished and celebrated. Libra's dedication to their craft extended beyond the limelight as they mentored aspiring artists, generously sharing their wisdom and nurturing the next generation of talent.


    Offstage, Libra was known for their infectious warmth, kindness, and humility. They possessed a radiant spirit that illuminated the lives of all who had the privilege of knowing them. Libra's gentle soul and compassionate nature endeared them to everyone they met, leaving an indelible impression on the hearts of friends, family, and colleagues.


    Libra Sene leaves behind a profound void in the performing arts world, but their legacy will continue to inspire generations to come. They will be fondly remembered for their immense talent, unwavering passion, and unwritten potential that was tragically cut short.


    Libra Sene is survived by their loving family, who kindly requests privacy during this difficult time. The world mourns the loss of a true artist, but we take solace in knowing that their spirit will forever dance among the stars, illuminating the heavens with their boundless talent and eternal grace.


    Rest in peace, dear Libra Sene. Your artistry and your spirit will forever be cherished and remembered.

Over the course of two decades, NAP has represented these and other distinguished recoding artists: 

  • Abdoulaye Diabate (Mali)
  • Alioune Guissé (Senegal)
  • Balla Tounkara (Mali)
  • Brilho de Luz Band (Brazil)
  • Charanga Soleil (Haiti/Cuba/Africa)
  • Charmanto Nkolé (Congo)
  • Cheikh Tairou M’Baye (Senegal/US)
  • Fallou Dieng (Senegal)
  • Grupo Caribe (Puerto Rico/US)


  • King Ibu (Senegal)
  • Lucky Diop (Senegal)
  • Maï Lingani (Burkina Faso)
  • Meta & the Cornerstones (Senegal/US)
  • Mor Dior Bamba (Senegal)
  • Soukous Stars (Congo/US)
  • Velly Bahia & the Kazwa Band (Brazil/US)
  • Waflash (Senegal)


NAP continues working to introduce the new generation of African music to the international stage. At the 21-year mark, our work continues, going strong!

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